Skip to content
Sound and Materialism in the 19th Century

Sound and Materialism in the 19th Century

University of Cambridge Research Group

Search
  • About
    • Personnel
      • Dr. David Trippett
      • Dr. Melissa van Drie
      • Dr. Edward Gillin
      • Dr. Melle Kromhout
      • Dr. Stephanie Probst
  • Events
    • Acoustics of Empire
      • Programme
      • List of participants
  • Media
    • After Idealism Conference
    • Sensing the Sonic Conference
    • Sardanapalo – Liszt’s Lost Opera
  • Publications
  • Blog

Category: Uncategorized

Uncategorized

Editing unfinished music by a great composer is controversial – but sometimes it needs to be done

15 Feb 201915 Feb 2019
First page of Liszt's opera Sardanapalo, GSA 60 / N4. Photo © Klassik Stiftung Weimar, Author provided David Trippett, University of Cambridge Unfinished works of art have long had a…
Uncategorized

A Tale of Two Conferences. Of sonic sensings between Cambridge and Paris, 7-16 June 2018

27 Jul 201827 Jul 2018
By Melissa Van Drie. During June 2018, the team of the Sound and Materialism in the 19th Century —Edward Gillin, Melle Kromhout, David Trippett and myself—travelled from Cambridge to Paris…
Uncategorized

Nature’s Pitch: John Herschel and the musical limits of Victorian scientific authority

6 Jul 20186 Jul 2018
by Dr. Edward Gillin. During the nineteenth century the question of who should be trusted to produce scientific knowledge was a tricky one to answer.  Certainly until the 1860s, it…
  • Home
  • Contact
Create a website or blog at WordPress.com
  • Follow Following
    • Sound and Materialism in the 19th Century
    • Already have a WordPress.com account? Log in now.
    • Sound and Materialism in the 19th Century
    • Customize
    • Follow Following
    • Sign up
    • Log in
    • Report this content
    • View site in Reader
    • Manage subscriptions
    • Collapse this bar