Publications

– forthcoming –

D. Trippett and B. Walton (eds), Nineteenth-Century Opera and the Scientific Imagination (CUP, 2019), in press

D. Trippett, N. Cook and M. Ingalls (eds), The Cambridge Companion to Music in Digital Culture (CUP, 2019), in press

D. Trippett, “Wagner’s Sound Effects: Bells, Cannon and the Perception of Heavy sound,” Sonorous Sublimes, ed. S. Hibberd and M. Stanyon (CUP, 2018), in preparation

D. Trippett, “Wagner’s Ring in Operatic and Literary History,” the Cambridge Companion to the Ring Cycle, ed. N. Vazsonyi and M. Berry (CUP, 2018), in preparation

E. Gillin. “Science on the Niger: ventilation and tropical disease during the 1841 Niger Expedition”, Social History of Medicine, 2018, in preparation

M.J. Kromhout. The Logic of Filtering. How Noise Shapes the Sound of Recorded Music (New York: Oxford University Press, forthcoming)


– 2018 –

D. Trippett, “The Voyager Metaphor: 40 years on,” Sound Studies (2018), 1-4

D. Trippett, “Melody,” The Oxford Handbook to Critical Concepts in Music Theory, ed. A. Rehding and S. Rings (OUP, 2018), published online

D. Trippett, “Music and the Transhuman Ear: Ultrasonics, Material Bodies, and the Limits of Sensation,” Musical Quarterly (2018), 199-261

D. Trippett, “An Uncrossable Rubicon: Liszt’s Sardanapalo Revisited,” Journal of the Royal Musical Association (2018), 361-432

E. Gillin, ‘Experiencing “the fullest fountain of advancing civilization”: Anthony Trollope’s House of Commons’, in Edward Gillin and Horatio Joyce (eds.), Experiencing Architecture: society and the built environment in the nineteenth century (Bloomsbury Publishing: London, 2018), in press

E. Gillin, Horatio Joyce (eds), Experiencing Architecture in the Nineteenth Century: buildings and society in the modern age (Bloomsbury Publishing: London, 2018).

E. Gillin and Crosbie Smith, ‘The Tools of Trinity: mathematics and the experimental sciences at Trinity College, 1850-1914’, in Boyd Hilton, History of Trinity College Cambridge, in press

– 2017 –

E. Gillin. The Palace of Science: Scientific knowledge and the building the Victorian Houses of Parliament, 1834-60 (CUP, 2017)

M. Kromhout. Noise Resonance. Technological Sound Reproduction and the Logic of Filtering, Dissertation, University of Amsterdam, 2017.

D. Trippett, “Towards a Materialist History of Music,” Franklin Humanities Institute, Duke University (2017)

– 2016 –

E. Gillin. (Textbook co-authored with Peter Callaghan), Protest, agitation and parliamentary reform in Britain, c.1780-1928 (Pearson: London, 2016).

E. Gillin. “Stones of Science: Charles Harriot Smith and the importance of geology in architecture, 1834-1864”, Architectural History, Vol. 59 (Jan., 2016), pp. 281-310.

– 2015 –

D. Trippett, “Exercising Musical Minds: Music and Phrenology in London ca. 1830,” 19th-Century Music 39 (2015): 99-124

M. Kromhout. “‘Antennas Have Long Since Invaded Our Brains.’ Listening to the ‘Other Music’ in Friedrich Kittler,” in Maas, Sander van (ed.). Thresholds of Listening. Sound, Technics, Space. New York: Fordham University Press (2015): 89-104

E. Gillin. “Prophets of Progress: authority in the scientific projections and religious realizations of the “Great Eastern” steamship”, Technology and Culture, Vol. 56, No. 4, (October, 2015), pp. 928-956.

E. Gillin. “Gothic Fantastic: Parliament, Pugin, and the architecture of science”, True Principles, Vol. 4, No. 5, (Winter, 2015), pp. 382-389.